![]() The latter almost comes off as a separate song if it weren't for the fading "eeee" at the start. ![]() Siamese Twin Songs: "Intrinsic" / "Zenith" from Decipher.Self-Titled Album: Oddly enough, their last album.Religion Rant Song: Prison of Desire contained the introduction and first three chapters of "Embrace That Smothers," a musical suite which flew over onto Epica's work through the Mark Jansen connection.It has become Hilarious in Hindsight in 2015, after Floor all but threw a hissy fit on Instagram when Facebook mistakenly blocked her page. New Media Are Evil: The depiction of the Internet in "Digital Deceit" is very much a product of its time (released in 2004, written and recorded the year before).My Nayme Is: There is only one "I" in Remagine.Me's a Crowd: Floor in the video for "Digital Deceit.".Male Band, Female Singer: After Forever, along with Nightwish and Within Temptation, was one of the earliest examples of what has become a common format in Symphonic Metal, though it almost didn't happen: Floor originally auditioned as a backing vocalist but her performance convinced the band to make her the frontwoman.Incredibly Long Note: Not as long as examples by other bands, but Floor's final note on the fast-paced "Monolith of Doubt" is an A5 held for ten seconds.Accidentally symbolic, as they weren't planning to break up after it was released. Gratuitous Greek: The cover to the Self-Titled Album simply has the band's name and the letter Omega ◊.Generation Xerox: The closing song of Invisible Circles in which the narrator, who's become a mother herself, believes she's bound to repeat her parents' mistakes.Epic Rocking: "Dreamflight" on their self titled album, clocking in at 11:09.Downer Ending: The two songs constituting "My Pledge of Allegiance," which deals with a wife planning to leave her husband.Death Growl: Mostly from the male members of the band for Soprano and Gravel, though Floor herself can growl, too (though she's better known for this with "Yours Is an Empty Hope" with Nightwish). ![]() (Originally performed by Queen, Randy Crawford, and Iron Maiden respectively.)
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